人物雕塑在东西方古代都存在有悠久的历史，但是两者存在着显著的差异，就人物雕塑所用的表现形式来讲，东方的人物雕塑观念自古就与西方不同，***代表性的就是秦***俑，秦***俑强烈的现实性决定了它的肖像特性。从时间上看，它比罗马肖像稍早，但这种肖像性并没有进一步发展而成为传统。究其原因，可能是肖像雕塑诞生与存在取决于帝王及统治者们的审美取向。与西方相比，同样是出于显威、歌功颂德的目的，***的王宫***往往回避了西方式的直接塑造自己而采用了龙凤、狮子、麒麟等瑞兽以及仆人、***、武士来烘托自己的伟大与神圣，这是***的王宫***自有的帝王观和艺术观。
Figure sculpture has a long history in both the East and the west, but there are significant differences between them. In terms of the forms of expression used in figure sculpture, the concept of figure sculpture in the East is different from that in the West since ancient times. The representative of *** is the terracotta warriors of Qin, whose strong reality determines its portrait characteristics. In terms of time, it is earlier than Roman portrait, but this kind of portrait has not developed further and become a tradition. The reason may be that the birth and existence of portrait sculpture depends on the aesthetic orientation of emperors and rulers. Compared with the west, for the same purpose of showing prestige and singing praises and praises, the imperial palace of * * * often avoids the western style of direct shaping itself and uses auspicious animals such as dragon and Phoenix, lion, unicorn, and servants, * * * and warriors to set off its greatness and sanctity. This is the imperial view and artistic view of the Royal Palace of * * *.