源远流长、博大精深的石雕文化是人类历史发展的艺术结晶，数千年来，正是在这丰厚的民族艺术土壤中，孕育出光辉灿烂、绚丽多彩的东方石雕艺术，涌现出许多杰出的石雕艺术家和石雕作品，形成了具有浓郁中国特色的传统工艺。

Has a long history, the stone culture is broad and profound artistic crystallization of human history, thousands of years, it is in this rich national art in soil, breed, Oriental bright and colorful shine with great splendor of stone carving art, the emergence of many outstanding artists and stone carving stone works, the formation of a traditional process with strong China characteristics.

历代以来，我国石雕的传统题材都有很吉祥的寓意，比如浮雕大多以“鱼跃龙门”、“鹤鹿同春”、“竹报平安”、“五福捧寿”等为创作题材，类似题材含意深受大众喜爱。这是传统艺术精神的一个方面。而圆雕中人物雕塑多以神仙佛道生活化的题材居多，多以“释迦牟尼”、“观音”、“达摩”、“太上老君”、“八仙过海”、“福禄寿星”、“钟馗”、“天女散花” 、“麻姑献寿”等民间广为流传的神话传说与佛道造像为主，这种佛教博大精深的精神崇拜和禅宗美学思想相互融合，深深地影响了一代又一代石雕艺人。同时我们的传统又似一条长河，它不是一成不变的，“作品当随时代”，时代在变，人们的审美思想观念与追求在变，艺术创新又成了与时俱进的必然要求。

Since in the past, the traditional theme of Chinese stone carving has very auspicious meaning, such as relief mostly out of "," crane deer Tongchun "," A family letter reports peace. "," Dr. Chen Shou "as the theme, meaning similar themes popular. This is one aspect of the spirit of traditional art. The characters in the sculpture and carvings are many gods Buddhist life theme, with "Shakya Muni", "goddess of mercy", "Damour", "Lao", "The Eight Immortals Crossing the Sea", "Fu Lu Shou", "Zhong Kui", "The heavenly maids scatter blossoms." and "wide birthday celebration" and other folk myths and legends and Buddhist statues the main spirit of worship and the broad and profound Buddhist Zen aesthetic thought of merging, deeply influenced generations of stone carving artists. At the same time, our tradition is like a long river. It is not static. When the works are coming along with the times, the times are changing. People's aesthetic ideas and pursuits are changing. Artistic innovation has become the inevitable requirement of keeping pace with the times.